Francesco Canovaro
Arsenica Trial
“Conflict is the gadfly of thought. It stirs us to observation and memory. It instigates to invention. It shocks us out of sheeplike passivity, and sets us at noting and contriving.”
John Dewey
Francesco Canovaro
“Conflict is the gadfly of thought. It stirs us to observation and memory. It instigates to invention. It shocks us out of sheeplike passivity, and sets us at noting and contriving.”
John Dewey
Seçili yazı tiplerini bir web sayfasına gömmek için bu kodu HTML kodlarınızın başına ekleyin.
<link href="https://fonts.cdnfonts.com/css/arsenica-trial" rel="stylesheet">
<style>
@import url('https://fonts.cdnfonts.com/css/arsenica-trial');
</style>
Bu yazı tipi ailesini kullanmak için aşağıdaki CSS kurallarını kullanın
font-family: 'Arsenica Trial', sans-serif;
The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website: https://www.zetafonts.com/arsenica
For more info about our licenses: https://www.zetafonts.com/licensing
CONTACT US: website: https://www.zetafonts.com have a question?: [email protected]
--- Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.
The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia".
Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting. More...
The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.
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