KJV1611
“Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful.”
Albert Schweitzer
“Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful.”
Albert Schweitzer
Seçili yazı tiplerini bir web sayfasına gömmek için bu kodu HTML kodlarınızın başına ekleyin.
<link href="https://fonts.cdnfonts.com/css/kjv1611" rel="stylesheet">
<style> @import url('https://fonts.cdnfonts.com/css/kjv1611'); </style>
Bu yazı tipi ailesini kullanmak için aşağıdaki CSS kurallarını kullanın
font-family: 'KJV1611', sans-serif;
This font is a libre digital recreation of the font found in one of the moſt famous books in the Engliſh language, the 1611 King James Verſion of the Holy Bible. It is licenſed under the S.J.L Open Font Licenſe.
This font can be used to typeset both in the medieual spelling style, or in the modern style. The alphabet is not static ; some glyphs that we use today did not exist in the 17th century. For example, capital “V”, capital “I”, and the “@” sign. Based on other blackletter fonts made by contemporaries of the scribes, and other modern recreations of other blackletter fonts, I made up glyphs for these modern symbols/letters.
The King James Bible was typeset by publishing houses contracted by Robert Barker, who at the time was the King’s Publisher. Barker had a monopoly on the printing of the King James Bible, as well as the Geneva Bible and Bishop’s Bible. There seems to be a bit of a mystery around who actually drew the font : it looks very similar to a font called alternately “Pica Textura” or “Texte Flamand”, sold by the publishing house of one Mr. Hendrik van der Keere. However, he died in 1580 : some letters, such as “A” and “Y” are notably different than how he would haue written them. Another possibility is that the font was made by Wolfgang Hopyl. A third possibility still is that the font was made by Barker or an associate of his in imitation of the styles of those two men, as works printed by them were popular in England at the time.
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